Imperial Palace Carpets
Imperial Palace Silk & Metal Chinese Rug n°:724181
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(242 × 155 cm)Imperial Silk & Metal Chinese Rug n°:11765731
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(300 × 267 cm)Chinese Rug Imperial Signed Silk and Metal n°:10783232
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(310 × 245 cm)Antique Chinese Silk and Metal Textile n°:11261588
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(216 × 86 cm)Antique Chinese Souf with Silk and Metal Thread Hand knotted and woven Rug n°:659997
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(185 × 93 cm)Imperial Antique Silk & Metal Chinese Souf (Metal Thread Field) Rug (201×120) n°:82860609
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(201 × 120 cm)Five-Dragon Imperial Silk and Metal Chinese Rug n°:76413405
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(205 × 117 cm)Multicolor Royal Antique Small Fragment Chinese Silk Textile n°:90096769
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(46 × 23 cm)Antique Chinese Signed Silk Rug with Metal Thread n°:78623990
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(153 × 94 cm)Antique Chinese Silk&Metal Thread Rug n°:54921395
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(182 × 95 cm)Chinese Imperial Silk & Matal (Kesi) Textile n°:25862558
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(210 × 72 cm)Antique Chinese Silk&Metal Imperial Textile n°:23466165
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(205 × 78 cm)A Medallion Signed Chinese Antique Ningxia Rug n°:79726609
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(214 × 165 cm)Antique Chinese Silk&Metal Rug n°:42856685
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(211 × 127 cm)Antique Chinese Silk&Metal Rug n°:42264426
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(244 × 152 cm)Antique Ningxia Metal-Thread Imperial Palace Souf Chinese Rug n°:95912367
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(217 × 125 cm)
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The Forbidden City was the imperial palace during the Ming and Qing dynasties. This city built in 1420, now a UNESCO World Cultural Heritage, has an area of 720 square kilometers and presents the luxurious lifestyle of the emperors and the imperial court.
These specimens have a silk fleece and a structure made up of silver-plated copper threads that are intertwined with the cotton forming the weft reminiscent of the “Sumak” process. The carpets, attributable to the nineteenth century, reveal an inscription in the upper part that places them in some imperial palaces of the forbidden city, called: “Palace of supreme harmony”, “Palace of perfect harmony”, “Palace of preserved harmony”, “Palace of literary splendor”, “Palace of military valor”, “Palace of Heavenly Purity”, “Palace of the great union”, “Palace of earthly tranquility”, “Palace of the spirit” and “Palace of the cult of the ancestors”.
The recurring symbology in these specimens, probably Peking, is generally Buddhist, Taoist or depicting landscapes and rarely geometric motifs.